Painting with a TOOTHBRUSH


Spatter Painting...

Cave painting - particularly those early efforts where the hand was placed on the wall and the paint blown or spattered on it, leaving the negative image for us to view thousands of years on - was one of the first of mankind's efforts at picture making.

I came by the technique of spatter painting when a friend suggested I try it. At the time there were a lot of "cheap" plastic paints around. My introduction to acrylics was therefore less than favourable. Being already involved in the advertising industry, I was fascinated by colour separations and how just the four colours - magenta, cyan, yellow and black - produced rich full colour brochures.

So I bought myself some printing-style inks and spattered an image of trees in a landscape. I was pleased with the colours and the way they mixed, but not with the lack of control with the spattering. A couple of years later, struggling to find a painting style that suited the use of the four primary coloured inks, I persevered by using bits of wood, pressed plants and small amounts of plasticine.

These I sat on the paper to make a pleasing design. Next I poured my precious inks into a savoury tray bought especially for the purpose. Firstly dipping the very outermost edge of a toothbrush into the black ink, I then proceeded to flick the bristles with my right index finger. This way I was able to control the intensity of 'colour' on the surface of the paper. I was also able to achieve great tonal variations with the black ink.

By adding extra colours to the already defined motifs, I discovered new colours and a wonderfully rewarding method of making images. Then I was able to remove sections of the design bit by bit, and spray different colours over the exposed white paper.

Painting with a toothbrush became my personal technique!


Robert J Murray
5 Airforce Road
Helidon - 4344 - Queensland - AUSTRALIA
Telephone: +61-7-46976-300

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